Man! I feel like a… OhSeptember 19, 2014 at 8:49 pm | Posted in mental health, music | Leave a comment
Tags: argh, baritone, contralto, countertenor, help, individuals, music, singing, tenor, voice type, women
Singing, rather than being merely a delightful thing to do while washing up, continues to be all about excavating mental skeletons. It’s getting a bit irritating. After all that enthusiasm over singing up HIGH (which is totally new to me, and feels terribly STUNT) and LOADS of practice, I develop a searing headache that lasts a week and stops me doing anything other than peering, mole-like, at the kettle for just long enough to make a cup of tea.
I run, trying to visualise my head floating lightly above my shoulders. (In the dappled dusk, this is one of the most cosmic experiences of my life, by the way. I keep expecting unicorns to leap out of bushes.) I sing lying on the floor, noticing when I’m pushing my chin forward and my head up, and trying to stop. The bottom end still sounds fine; the middle of my range sounds better; but my newly-discovered top end is basically gone.
I arrive at my teacher’s house and immediately burst into tears. Her: It’s all right. You have to take a step back sometimes and re-learn something. Me: I know, I know. But, BWAAAA.
We reach an agreement. I spend an hour happily splashing around in the octave below middle C. Her: It sounds lovely. I always wanted to be able to sing down there. Let’s do it a bit lower.
And I recognise this. All right, it’s a bit of a theme for me. Ignore the stuff you can already do, the things that feel natural and unforced, in favour of busting a gut trying to do whatever you find difficult. It can’t have any worth if you find it easy, can it?
But there’s something else going on, too. I’m six feet tall and beanpolesque. I’ve got what women’s magazines euphemistically call strong features, and a laugh like Sid James. I don’t really get why anyone would go to a spa or have a pedicure or get their eyebrows threaded. When I used to cycle around London with cropped hair and a tracksuit on, people called me ‘mate’.
Mostly, I manage to ignore my ineptitude at girliness, or subvert it. Salsa, for example, favours short, cute, curvy chicks. (Oddly, male salsa enthusiasts are rarely over 5’6”.) Standing out got boring, so I learned to lead. It IS fun, and you get a LOT of compliments even if you’re not very good, but sometimes, you know, I just wanted to be whirled around the dancefloor, like a Proper Girl.
Now, I’m googling around, trying to find out what voice type I might be. This post suggests contralto, which sounds like a gorgeous, pulchritudinous thing to be, but all the clips are of women singing around an octave higher than me. This chap sings Dowland at the same pitch as me (though I’ll admit I lack his richness of tone, not to mention his sharpness of suit). And he’s a BARITONE. Gulp.
As someone whose ideal day is spent lying on the carpet with a countertenor cranked up to 11, the irony is not lost on me. Just as some people’s reactions to a countertenor are ‘Ooh no! He sounds like a GIRL!’*, I imagine people listening to me and giggling ‘Eh! You a BLOKE?’ Sigh. I’m not sure I’m ready to be an individual AGAIN.
So, I challenge you. Find me some role models. Ideally, they’ll sing happily right down to the D below middle C. My teacher suggested Nico, though that didn’t end too well, did it. Dagmar Krause (the boyfriend’s idea) is fabulous but decidedly idiosyncratic. That one off the Communards, praps? Help me out. Please. I’ll be girlishly grateful.
* these were @jenlovescycling‘s actual words. Don’t look at me like that.